Vatican Necropolis – Tombs G and B
Beneath St Peter’s Basilica lies an extensive Roman burial area that developed near the Circus of Nero. The mausoleums, built and progressively transformed between the 1st and 4th centuries AD, still preserve a significant part of their original structures and decorative schemes, including wall paintings, stuccoes and mosaics that testify to the richness of the visual culture and funerary practices of Imperial Rome.
The history of the Necropolis is closely intertwined with that of St Peter’s Basilica. In the 4th century, the construction of the first Constantinian basilica on the site traditionally identified as the burial place of the Apostle Peter profoundly transformed the area. To create the level platform on which the new basilica was built, part of the necropolis was buried and filled in, thereby preserving numerous spaces and their decorative schemes beneath the ground.
Excavations carried out in the 20th century brought to light a complex of exceptional interest, in which the funerary spaces still preserve a significant part of their original decoration. The presence of both pagan and Christian evidence, the quality of the painted, stucco and mosaic decoration, and the complex stratification of the site make the Vatican Necropolis a place of particular importance for archaeological research and conservation.
The Restoration Project
Since 2025, the Isabel und Balz Baechi Foundation, in collaboration with the Fabbrica di San Pietro, has supported a programme for the restoration and conservation of the decorative schemes of the Vatican Necropolis. The project began with Tomb G, restored between 2025 and 2026, and continues in the nearby Tomb B of Fannia Redempta, with work scheduled through 2027.
The restoration is accompanied by documentation and targeted scientific investigations aimed at deepening knowledge of the materials, execution techniques and state of conservation of the decorative schemes.
2025–2026 – Tomb G
Built during the reign of Hadrian, between AD 117 and 138, Tomb G preserves an elaborate decorative scheme in which painting and stucco work together to define the funerary space. The walls, articulated by arcosolia and niches, feature small apses framed by Corinthian stucco columns and figurative friezes. The decorative repertoire includes marine motifs, fantastic creatures, garlands and scenes of daily life; on the north wall, a mask of Oceanus stands out.
The restoration, completed in 2026, encompassed the decorated surfaces as a whole, with the aim of ensuring their conservation and enhancing the overall legibility of the tomb’s painted and stucco decoration.
2026–2027 – Tomb B of Fannia Redempta
Tomb B of Fannia Redempta preserves an important decorative scheme comprising wall paintings, stuccoes and mosaics. Of particular interest are the decorations of the vault, which show significant technical and stylistic affinities with those of the nearby Tomb G.
The restoration, begun in 2026, offers the opportunity to relate the two decorative complexes and to deepen the comparison of the materials, execution techniques and workshops involved in their creation.
Collaborations – Tomb G
Fabbrica di San Pietro in Vaticano
Pietro Zander – works director and Head of Excavations and Classical Antiquities
Alberto Capitanucci – engineer, Head of the Technical Area and Cultural Heritage
Egidio Miti – engineer, technical contact during the final phase of the project
Coordination for the Isabel und Balz Baechi Foundation
Paola Potenza – conservator-restorer, Head of Projects and technical coordination
Restoration
Adele Cecchini – conservator-restorer, project lead
Mariangela Santella – conservator-restorer
Serena Cinelli – conservator-restorer
Caterina Leandri – conservator-restorer
Gabriela Simoni – conservator-restorer
Scientific investigations
Ulderico Santamaria, University of Tuscia – scientific investigations
Teresa Rinaldi, Sapienza University of Rome – microbiological investigations
Documentation
Gabriele Maschio – photographic documentation
Mallio Falcioni – VIL documentation
Collaborations – Tomb B
Fabbrica di San Pietro in Vaticano
Pietro Zander – works director and Head of Excavations and Classical Antiquities
Egidio Miti – engineer, Technical Area and Cultural Heritage
Coordination for the Isabel und Balz Baechi Foundation
Paola Potenza – conservator-restorer, Head of Projects and technical coordination
Restoration
Adele Cecchini – conservator-restorer
Mariangela Santella – conservator-restorer
Sara Pascucci – conservator-restorer
Paola Potenza – conservator-restorer
Chiara Scioscia Santoro – conservator-restorer and technical-scientific consultant
Scientific investigations
Ulderico Santamaria – scientific investigations
Documentation
Gabriele Maschio – photographic documentation
Mallio Falcioni – VIL documentation